Mike Westbrook - CD's

Solid Gold Cadillac - Brain Damage CD Cover

SOLID GOLD CADILLAC
BRAIN DAMAGE

Solid Gold Cadillac -
Mike Westbrook


Solid Gold Cadillac

  1. Technology
  2. Let It Shine
  3. March
  4. There Was A Man
  5. Morning Song
  6. We Do It
  7. The Island
  8. Greek Music I
  9. Greek Music II
  10. Pleasure City
  11. Solid Gold Cadillac
Brain Damage
  1. Overt'yer
  2. Lady Howard
  3. Tacuarembo
  4. Elephants' Tales
  5. I Believe
  6. Fortune Song
  7. The Sun
  8. Mermaid Song
  9. Anna Marie
  10. Bilbo

Not available from JAZZCD's.

Please contact your local record dealer.


Solid Gold Cadillac
Musicians involved:
Phil Minton - lead vocals & trumpet
George Khan - tenor sax, electric sax & flute
Malcolm Griffiths - trombone
Dick Morecombe - electric guitar, acoustic guitar & vocals
Mike Westbrook - electric piano & vocals
Fiachra Trench - piano, organ & vocals
Roy Babbington - bass guitar & double bass
Alan Jackson - drums, percussion & alto sax
Chris Spedding - additional guitar on 'Technology' & 'Solid Gold Cadillac'


Brain Damage
Musicians involved:
Brian Godding - electric guitar
Malcolm Griffiths - trombone
Alan Jackson - drums, percussion & marimba
George Nisar Ahmed Khan - electric sax, tenor & baritone saxes, flute & piano
Phil Minton - vocals & trumpet
Butch Potter - bass guitar, acoustic guitar, banjo & piano
Mike Westbrook - electric piano


Solid Gold Cadillac produced by Fiachra Trench;
Arrangements by Solid Gold Cadillac.
Cover painting by Alan Jackson.


Brain Damage produced by Solid Gold Cadillac;
Arrangements by Solid Gold Cadillac.
Original sleeve design & photography by Charles Mapleston.

BGO Records BGOCD 471 - Double CD


Mike Westbrook's Solid Gold Cadillac albums are his idiosyncratic take on the rock music of the time (1972/73).


Not available from JazzCD's, please contact your local record dealer.


Quote 'Mike Westbrook, then in his early thirties, with his art-school education, his lifelong love of jazz and his inquisitive, magpie mind, was uniquely well placed to take advantage of the spirit of that time. That is where his music - restless, constantly surprising and still evolving today - has its roots.'
Dave Gelly, November 1999
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